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| Desired Industry: Entertainment |
SpiderID: 24319 |
| Desired Job Location: Los Angeles, California |
Date Posted: 1/20/2009 |
| Type of Position: Full-Time Permanent |
Availability Date: 01/21/2009 |
| Desired Wage: 60000 |
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U.S. Work Authorization: Yes |
| Job Level: Management (Manager, Director) |
Willing to Travel: Yes, 25-50% |
| Highest Degree Attained: High School/Equivalent |
Willing to Relocate: Yes |
Objective: Demonstrating exceptional communication, organizational, and time management skills.
Talented, artistic, and well-respected managerial and administrative professional with 11+ years of experience in post production, project management, and business administration. Attentive listener and effective communicator with a keen knowledge and understanding of post production and standard/high definition.
Experience: 20Twenty VFX, Santa Monica, CA (11/2008 - 12/2008)
Producer
Reported to Executive Producer and served as a liaison between artists and clients. Bid effects and clean up for shots in music videos and TV shows. Managed multiple artists to complete visual effects on selected shots given tight deadlines. Posted works in progress for client review and approval and delivered final product on time.
* Completed all assignments as per specified time and cost constraints.
Beast Editorial, Santa Monica, CA (5/2007 - 10/2008)
Assistant Editor
Provided editorial services for various commercials. Digitized dailies, worked on sound design, and created offline graphics. Posted works in progress for client review and approval, made DVD's, and shipped items. Completed revisions as required and prepped for all finishing sessions. Delivered final masters in HD and SD.
* Traveled with and assisted Editor Paul Norling on Farmers Insurance, Ford, Nike, T-Mobile (3 campaigns), and Holiday Inn and Editor Rob Watzke on LDS and US Border Patrol.
* Recognized for exceptional work on all assignments and requested repeatedly for additional projects from a very satisfied client base.
Crush Editorial, Santa Monica, CA (8/2007 - 8/2008)
Producer
Produced various materials for clients and served as a liaison between assistants, editors, and clients. Hired freelance editors and assistant editors, scheduled mix and online time, and supervised all work projects.
* Contributed additional talents in editorial services.
* Performed all assignments as per specified time and cost constraints.
Jigsaw Editorial House, Los Angeles, CA (2006)
Associate Producer
Served as a liaison between the clients and editor. Scheduled dailies and posted works in progress for client review and approval.
* Completed work as per time and cost constraints for the Ford F- 150 project.
Rock Paper Scissors Editorial House, Los Angeles, CA (2006)
Post Production Supervisor
Served as a liaison between clients and post producer and supervised finishing sessions.
* Completed work as per time and cost constraints for the Glad project.
Eight VFX Visual Effects Company, Santa Monica, CA (2006)
VFX Coordinator
Served as a liaison between the clients and the artists. Tracked and monitored all shot progress and assisted artists as needed. Posted works in progress for client review and approval.
* Completed work as per time and cost constraints for the Pepsi and Yes on 87 campaigns.
Prologue Films, Venice, CA (10/2004 - 5/2005)
Associate Producer
Reported to the Executive Producer and served as a liaison between artists and clients for this live action and graphic design company. Bid graphics for commercials and film opening credits. Conducted meetings, conference calls, and disbursed client updates. Posted works in progress for client review and approval and delivered final product on time.
* Called upon to lend talents on editorial work when short handed.
* Facilitated successful project management and met all cost and time constraints for work completed on American Express My Life, My Card Campaign, Post Cereal, and Realestate.com.
EARLY CAREER
Lost Planet Editorial House, Santa Monica, CA (1 year)
Chrome Editorial, Santa Monica, CA (3 years)
Assistant Editor
Provided editorial services for various commercials and music videos. Digitized dailies, worked on sound design, and created offline graphics. Posted works in progress for client review and approval, made DVD's, and shipped items. Completed revisions as required and prepped for all finishing sessions. Delivered final masters in HD and SD.
* Assisted Patrick Griffen on Coke, Six Flags, and Listerine; Elisa Bonora on Collapse?; Jean Dean on BET Awards; Geoff Hounsell on Subway, Montana Meth, and Comcast; and Kim Bica on Cisco, Cargill and Expedia. (Lost Planet)
* Assisted Editor Hal Honigsberg on Motorola, Hotel.com, Dawn of the Dead (opening titles), and Hewlett Packard; Lance Pereira on Crystal Method, Yamaha, AT&T, Benadryl, and Burger King; and Adam Parker on AT&T, Jaguar (2 Campaigns), TGIF, and Direct TV. (Chrome)
* Edited rip for AT&T and merchandising video for TGIF. (Chrome)
Also worked at Optimus (Assistant Editor); Rhythm & Hues (Assistant Editor); Hillhopper Productions (Editor/Post Production Supervisor); Harley's House (Assistant Editor): Red Car Editorial (Assistant Editor); Harley's House (Assistant Editor); Anchor Editorial (Assistant Editor); and wrote, directed, and edited student film, Buying Time, screened at New York Film Academy.
Education: Hieroglyphics (Grammar, History, and Culture) Paris, France
Ecole du Louvre in Art History Paris, France
Baccalaureat A3 (Fine Art and Philosophy) Colmar, France
Skills: * Effectively manage time, people, and resources while multi- tasking and meeting deadlines.
* Enthusiastic and personable to work well with talent, artists, and staff at all levels.
* Adept in problem solving, conflict resolution, and applying policies and procedures to meet demanding project objectives within specified time and cost constraints.
* Very focused, creative, and detail oriented with the proven ability to thrive in a fast paced and challenging environment.
* Technically savvy and proficient in MS Office Suite, Avid, Final Cut, and Photoshop.
Candidate Contact Information:
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